- Aliens vs. the 300. Sure, the aliens win in the end, but not before we get to see a lot of alien corpses pile up in the pass of Thermopylae.
- Aliens vs. the Gods of Olympus. Ray guns vs. thunderbolts ... I'd like to see that match-up!
- Aliens vs. Ninjas. Speaking of matchups, I'm gonna have to take the ninjas in this one. What use are high tech weapons against warriors who can move invisibly, shield their body temperature from sensors, and dodge energy pulses?
- Aliens vs. the Roman Legion. I'm not sure who would win, but love the idea of the Roman Senate desperately sending forth champions to halt the alien onslaught. Boy are they going to wish they hadn't turned Russell Crowe into a gladiator.
- Aliens vs. the Barbarians. Doesn't matter which barbarians, but am voting for whatever tribe Arnold Schwartzenagger's Conan came from, in hopes all the men are as well developed.
- Aliens vs. The Knights of the Round Table. Think about it - this could be a great fit. Excalibur turns out to be the only weapon that can kill them, and the Holy Grail turns out to be a signaling device that has to be found and destroyed so the aliens can never find us again. The script practically writes itself!
- Aliens vs. Nazis. This is a win-win, because no matter who loses in the end, it's okay with us.
- Aliens vs. Vampires (or zombies). Since almost every movie being filmed these days has something to do with vampires or zombies, figure this is a natural.*
- Aliens vs. Planet of the Apes. They've figured out how to outsmart humans, but are the big monkeys ready to outsmart aliens?
- Aliens vs. Rednecks. My favorite potential sequel of all, and I'm definitely taking the rednecks. Can't imagine much more fun than 2hrs of watching aliens get run over by trucks, plowed down by trains, and picked off from behind duck blinds. And for the finale, the rednecks can lure the aliens to a trailer park just as a tornado is coming ...! ("They never saw it coming, Bubba!" "How could they? We never do!")
7/31/2011
Sequels to Cowboys & Aliens
7/29/2011
Tonight I'm Gonna Cry Playlist: Songs That Make Me Cry
What is it about some songs that make us bawl like a baby?
- Is it regret? (Cats in the Cradle, Wasted Time, The Living Years, Yesterday)
- Death? (Amazing Grace, Tears in Heaven)
- Doomed Love? (Somewhere)
- Lost Love? (Against the Odds, Weekends in New England)
- Lost youth? (It Was a Very Good Year, 100 Years, I Loved These Days)
- The glory/horror of war? (Brothers in Arms, Some Gave All, Goodnight Saigon, Taps)
- Patriotism? (The Battle Hymn of the Republic, America)
- Songs that fill you with hope that, no matter how bad things get, there's something better Over the Rainbow? (What a Wonderful World, Imagine, Rainbow Connection).
- Sometimes, the words don't even matter - all it takes is a heart-breaking chord change or crescendo to tear at our hearts, like Samuel Barber's haunting Adajio for Strings or Jeff Buckley's wrenching versoin of Hallelujah.
- 100 Years, Five for Fighting
- Adagio for Strings, Samuel Barber
- Afterglow, Genesis
- Against All Odds, Phil Collins
- All By Myself, Eric Carmen
- All I Ask of You, Phantom of the Opera
- Allegretto, Symphony No. 7, Beethoven
- Amazing Grace, any version
- America, Ray Charles
- American Pie, Don McLean
- Angel, Sarah McLachlan
- Are You Lonesome Tonight, Elvis Presley
- At 17, Carly Simon
- Ave Maria, any version
- Auld Lang Syne, any version
- Battle Hymn of the Republic, any version
- Big John, Tennessee Ernie Ford
- Bird on the Wire, Leonard Cohen
- Blue in Green, Miles Davis
- Both Sides Now, Joni Mitchell
- The Boxer, Simon and Garfunkle
- Brandy, Looking Glass
- Bridge Over Troubled Water, Simon & Garfunkel
- Bring Him Home, from Les Miserables
- Brothers in Arms, Dire Straits
- Candle in the Wind, Elton John
- Canon in D, Pacelbel
- Cat's in the Cradle, Harry Chapin
- Crazy Love, Van Morrison
- Crying, Roy Orbison
- The Crying Game, Boy George
- The Dance, Garth Brooks
- Dang Me, Roger Miller
- Danny Boy, any version
- Dante's Prayer, Loreena McKennitt
- Days, Elvis Costello
- The Death of Falstaff, from Henry V
- Desperado, Eagles
- Don't Cry for Me Argentina, from Evita
- Don't Take the Girl, Tim McGraw
- Dream, Bob Dylan
- Dust in the Wind, Kansas
- Eleanor Rigby, Beatles
- Empty Chairs and Empty Tables, from Les Miserables
- Empty Garden, Elton John
- Evergreen, Barbra Streisand
- Everybody Hurts, REM
- Fanfare for the Common Man, Aaron Copeland
- Fields of Gold, Eva Cassidy
- Fire and Rain, James Taylor
- The First Time Ever I Saw Your Face, Roberta Flack
- Fix You, Cold Play
- Forget Her, Jeff Buckley
- The Gambler, Kenny Rogers
- Georgia on my Mind, Ray Charles
- The Ghost of Tom Joad, Bruce Springsteen
- Good Riddance, Green Day
- Goodnight Saigon, Billy Joel
- Greatest Love of All, Whitney Houston
- Growin' Up, Bruce Springsteen
- Hallelujah, Jeff Buckley (or Pentatonix)
- Hello, Adele
- Hurt, Johnny Cash
- Hushabye Mountain, from Chitty Chitty Bang Bang
- I Can't Make You Love Me, Bonnie Raitt
- I Don't Want to Miss a Thing, Aerosmith
- I Grieve, Peter Gabriel
- I Have Nothing, Whitney Houston
- I Dreamed a Dream, from Les Miserables
- I Was a Fool to Let You Go, Barry Manilow
- I Won't Let Go, Rascal Flatts
- If, Bread
- If I Die Young, The Band Perry
- If You're Reading This, Tim McGraw
- I'll Stand By You, Glee
- I'm A Fool To Want You, Carly Simon
- I'm Moving On, Rascal Flatts
- Imagine, John LennonIn Your Eyes, Peter Gabriel
- The Impossible Dream, Man of LaMancha
- In a New York Minute, Don Henley
- In a Sentimental Mood, Duke Ellington
- In the Ghetto, Elvis Presley
- In the Wee Small Hours, Carly Simon
- Iris, Goo Goo Dolls
- It Was Very Good Year, Frank Sinatra
- It's Not Easy Being Green, Ray Charles
- It's Too Late, Carole King
- I've Loved These Days, Billy Joel
- Keep Holding On, Avril Lavigne
- Landslide, Fleetwood Mac
- Last Goodbye, Jeff Buckley
- The Last Song, Elton John
- The Leader of the Band, Dan Fogleberg
- Let Her Go, Passenger
- Let It Be, Beatles
- Lilac Wine, Jeff Buckley
- The Living Years, Mike and the Mechanics
- The Long and Winding Road, Beatles
- A Long December, Counting Crows
- Lover, You Should Have Come Over, Jeff Buckley
- The Luckiest, Ben Folds
- Mad World, Michael Andrews
- Make You Feel My Love, Adele
- Memories, Barbra Streisand
- A Million Fireflies, Midway State
- Moon River, Louis Armstrong
- Mother's Pride, George Michael
- More than Words, Extreme
- Mr. Bojangles, Nitty Gritty Dirt Band
- Music of the Night, from Phantom of the Opera
- My Eyes Adored You, Frankie Valli
- My Funny Valentine, Sarah Vaughn
- My Immortal, Evanescence
- My Way, Frank Sinatra
- Nessun Dorma, Turnadot
- Nightswimming, REM
- On My Own, from Les Miserables
- One Day More, from Les Miserables
- One Hand/One Heart, from West Side Story
- One Moment in Time, Whitney Houston
- Operator, Jim Croce
- Philadelphia, Bruce Springstein
- Promentary, from Last of the Mohicans
- Proud to be An American, Lee Greenwood
- Puff the Magic Dragon, Peter, Paul and Mary
- Rainbow Connection, Kermit the Frog
- Rainy Days and Mondays, The Carpenters
- Redemption Song, Joe Strummer and Johnny Cash
- Romeo & Juliet, Dire Straits
- Say Something, Great Big World & Christina Aguilera
- Seasons in the Sun, Terry Jacks
- See You Again, Charlie Puth w/Wiz Khalifa
- Send in the Clowns, Judy Collins
- Set Fire to the Rain, Adele
- Smoke Gets in Your Eyes, Nat King Cole
- Solsbury Hill, Peter Gabriel
- Some Gave All, Billy Ray Cyrus
- Someone Like You, Adele
- Someone You Loved, Lewis Capaldi
- Sometimes When We Touch, Dan Hill
- Somewhere (A Place for Us), from West Side Story
- Somewhere Out There, Linda Rondstadt
- Somewhere Over the Rainbow, Israel Kamakawiwo'ole
- Sorry Seems to be the Hardest Word, Elton John
- Sound of Silence, Simon & Garfunkle (or Pentatonix)
- Stand By Me, BB King
- Stardust, Glen Miller
- Strange Fruit, Billie Holliday
- Streets of Philadelphia, Bruce Springsteen
- Summertime, Louis Armstrong
- Sunrise/Sunset, from Fiddler on the Roof
- Superman, Five for Fighting
- Taps, any version
- Tears in Heaven, Eric Clapton
- There's a Place For Us, from West Side Story
- These Three Words, Stevie Wonder
- This Woman's Work, Maxwell (or Kate Bush)
- Time After Time, Cyndi Lauper
- Time in a Bottle, Jim Croce
- Time to Say Goodbye, Sarah Brightman and Andrea Bocelli
- Times of Your Life, Paul Anka
- To Sir With Love, Lulu
- Tonight I'm Gonna Cry, Keith Urban
- True Colors, Cindi Lauper
- Unchained Melody, Righteous Brothers
- You Were Always on My Mind, Willie Nelson
- Walking in Memphis, Marc Cohn
- Wasted Time, Eagles
- Weekends in New England, Barry Manilow
- Weight of Lies, Avett Brothers
- We're Just Friends, Wilco
- What a Wonderful World, Louis Armstrong
- What I Did For Love, Barbra Streisand
- When I See You Again, Wiz Khalifa
- When I Was Your Man, Bruno Mars
- When Somebody Loved Me, Sara McLachlan
- When the Party's Over, Billie Eilish
- Who Wants to Live Forever, Queen
- Wildfire, Michael Martin
- The Wind, Cat Stevens
- Wishing You Were Here, Chicago
- Wreck of the Edmund Fitzgerald, Gorden Lightfoot
- Yesterday, Beatles
- You Are So Beautiful, Joe Crocker
- You Don't Know Me, Ray Charles
- You Raise Me Up, Josh Groban
7/20/2011
"Guilty Pleasure" Movies
It's easy to pick awful movies; much more difficult to fess up to those "guilty pleasure" movies. You know - the ones you hide under your coat at the video store so that no one sees you check them out. The ones you quickly click away from when someone walks into the room. The ones you lie about when friends call: "Oh, I'm just watching a movie. Yeah - um - Private Ryan." The ones that you love, but that you're not willing to publicly admit you love.
Here are some of my guilty pleasures; feel free to snigger.
- The 10 Commandments. It's epic-ly cheesy, but there's something about the combination of over-the-top costuming, shameless overacting, and goofy special effects that keeps me coming back every Easter for more.
- St. Elmo's Fire. Actually, pretty much any of those movies staring the "brat pack": 16 Candles, Pretty in Pink .... They were all so painfully '80s and yet I can't help watching them everytime they come on television. Maybe it's the music? the fashion? the 80s angst? the really big hair?
- Planet of the Apes. I don't even listen to the dialog anymore - I just enjoy the monkey makeup and the many fabulous quotes, to include a favorite of mine: "Take your stinking paws off me, you damned dirty ape!"
- Army of Darkness. Not sure I'm allowed to include this on the list, since - unlike the other movies on this list - it was made with the intention of being bad. But something funny happened along the way: they made a movie so goofily hilarious that it's practically irresistable.
- Starship Troopers. Recently named one of the worst movies ever made, yet there's something captivating about the timeless "man vs. bugs from outer space" theme that keeps sucking me in.
- 9 to 5. It's everything that's wrong/right about movies made during the 70s* - socially preachy conflict (sexual harassment) + questionable 70s icons in starring roles (Jane Fonda, Lily Tomlin, Dolly Parton) + the same incredibly juvenile slapstick sense of humor that brought us movies like Every Which Way But Loose, pairing Clint Eastwood with a monkey. And yet, I never tire of watching the gals avenge themselves on their sexist rat of a boss, played by ubiquitous '70s baddie Dabney Coleman. (*Okay, technically the movie was released in 1980, but that means it was written/filmed in the '70s.)
- Three Muskateers + cheesy pirate/swordfighting movies. The acting is extraneous, the time period is inconsequential, the plot is immaterial; they have me at "swordfight." Honorable mentions in this category include Highlander, Conan the Barbarian, and the truly terrible Cutthroat Island.
- Dirty Dancing + all cheesy dance/cheerleading/band/music movies. You know, those movies where the plucky young lead has to conquer obstacles in order to achieve thier dream of becoming a successful dancer/singer/musician/cheerleader. (And, along the way, win the heart of their "other side of the tracks" love interest.) Think Fame, Flashdance, Center Stage, Drum Line, etc. People knock this genre for being so predictable, but that's what I love about it: a little music, a bit of a love interest, and a happy ending. All that's missing is a bit with a dog.
- Muppet movies. I never specified that "guilty pleasures" have to be bad movies, just embarassing! One way or another I've managed to furtively enjoy many of these - The Mupppet Movie, The Great Muppet Caper, Muppet Treasure Island, A Muppet Christmas Carol - and foudn them to be uniformly entertaining and charming. I'm just not necessarily ready to share this with others.
- Anything starring Goldie Hawn. You know what I'm talking about. Overboard. Wildcats. Swing Shift. Private Benjamin. They're preposterous, they're formulaic, and they're almost always insulting to women. (The ditzy character GH inevitably plays was, I think, meant to be a throwback to The Honeymooners and All In the Family, a period when Hollywood considered ditzy female characters to be entertaining rather than condescending and insulting). And yet, everytime they pop up on one of the cable channels, I find myself watching ... while simultaneously keeping one finger poised on the "back" button so that, at any time, I can quickly return to The History Channel should someone unexpectedly enter the room.
7/16/2011
Insults of the Famous and Literate
Think you're pretty adept with witty insults, taunts and put-downs? The following collection of insults by the famous and literate is guaranteed to leave you humbled, and wholly amused.
- “He has all the virtues I dislike and none of the vices I admire.” -Winston Churchill
- “A modest little person, with much to be modest about.” -Winston Churchill
- "A sheep in sheep's clothing." - Winston Churchill
- "I have never killed a man, but I have read many obituaries with great pleasure.” -Clarence Darrow
- “He has never been known to use a word that might send a reader to the dictionary.” -William Faulkner (about Ernest Hemingway)
- “Does he really think big emotions come from big words?” -Ernest Hemingway (about William Faulkner)
- “Thank you for sending me a copy of your book; I’ll waste no time reading it.” -Moses Hadas
- "This is not a novel to be tossed aside lightly. It should be thrown with great force." - Dorothy Parker
- “He can compress the most words into the smallest idea of any man I know.” -Abraham Lincoln
- “I’ve had a perfectly wonderful evening. But this wasn’t it.” -Groucho Marx
- “I didn’t attend the funeral, but I sent a nice letter saying I approved of it.” -Mark Twain
- “He has no enemies, but is intensely disliked by his friends.” -Oscar Wilde
- "Some cause happiness wherever they go; others whenever they go." -Oscar Wilde
- “I am enclosing two tickets to the first night of my new play; bring a friend…. if you have one.” - George Bernard Shaw to Winston Churchill
- “Cannot possibly attend first night, will attend second… If there is one.” - Winston Churchill, in response to Bernard Shaw
- “He is a self-made man and worships his creator.” - John Bright
- “I’ve just learned about his illness. Let’s hope it’s nothing trivial.” - Irvin S. Cobb
- “He is not only dull himself, he is the cause of dullness in others.” -Samuel Johnson
- “He is simply a shiver looking for a spine to run up.” - Paul Keating
- “He had delusions of adequacy.” - Walter Kerr
- “There’s nothing wrong with you that reincarnation won’t cure.” -Jack E. Leonard
- “He has the attention span of a lightning bolt.” -Robert Redford
- “They never open their mouths without subtracting from the sum of human knowledge.” -Thomas Brackett Reed
- “He inherited some good instincts from his Quaker forebears, but by diligent hard work, he overcame them.” -James Reston (about Richard Nixon)
- “In order to avoid being called a flirt, she always yielded easily.” -Charles, Count Talleyrand
- “He loves nature in spite of what it did to him.” -Forrest Tucker
- “Why do you sit there looking like an envelope without any address on it?” -Mark Twain
- “His mother should have thrown him away and kept the stork.” -Mae West
“He uses statistics as a drunken man uses lamp-posts for support rather than illumination.” -Andrew Lang (1844-1912) - “He has Van Gogh’s ear for music.” - Billy Wilder
- "She looked as if she had been poured into her clothes and had forgotten to say 'when.'" -P.G. Wodehouse
- "O, she is the antidote to desire." -William Congreve
- "I could eat alphabet soup and shit better lyrics." -Johnny Mercer,
- "The problem with the gene pool is that there's no lifeguard." -David Gerrold
- “I can’t believe that out of 10,000 sperm, you were the quickest.” - Steven Pearl
- "Some people stay longer in an hour than others can in a week." - William Dean Howells
- "Pushing 40? She's hanging on for dear life." - Ivy Compton-Burnett
- "I feel so miserable without you; it's almost like having you here." - Stephen Bishop
- "I have never liked him and I always will." - David Clark
- "I regard you with an indifference bordering on aversion." -Robert Louis Stevenson
- "He's completely unspoiled by failure." -Noel Coward
- "Fine words! I wonder where you stole them." - Jonathan Swift
- "You had to stand in line to hate him." - Hedda Hopper
- "The trouble with her is that she lacks the power of conversation but not the power of speech." -George Bernard Shaw
- "There, but for the grace of God, goes God." - Winston Churchill
- "Some folks are wise and some are otherwise." -Tobias George Smolett
- "She never lets ideas interrupt the easy flow of her conversation." - Jean Webster
- "Ordinarily he is insane. But he has lucid moments when he is only stupid." - Heinrich Heine
- "She has been kissed as often as a police-court Bible, and by much the same class of people." - Robertson Davies
- "He was trying to save both his faces." -John Gunther
- "Failure has gone to his head." - Wilson Mizner
- "God was bored by him." - Victor Hugo
- "He had delusions of adequacy." - Walter Kerr
- "He has no enemies, but he is intensely disliked by his friends." - Oscar Wilde
- "He is as good as his word - and his word is no good." -Seamus MacManus
- "He is one of those people who would be enormously improved by death." - H.H. Munro
- "He was happily married - but his wife wasn't." - Victor Borge
- "She not only kept her lovely figure, she's added so much to it." -Bob Fosse
- "He never chooses an opinion; he just wears whatever happens to be in style." - Leo Tolstoy
- "He was born stupid, and greatly increased his birthright." - Samuel Butler
- "He was distinguished for ignorance; for he had only one idea and that was wrong." - Benjamin Disraeli
- "That woman speaks eight different languages and can't say 'no' in any of them." - Dorothy Parker
- "He has not so much brain as ear wax." -William Shakespeare
- "He's a tried and valiant soldier. So is my horse." -William Shakespeare
- "Her beauty and her brain go not together." - William Shakespeare
- "Better a witty fool than a foolish wit." - William Shakespeare
7/08/2011
7/05/2011
Book Look - The Monk, Matthew Lewis
Don't be scared off by the book's 18th century publication date: this story is great fun - as shocking and titillating as anything in modern lit. The Monk has it all: scandal, conspiracy, murder, villainy, hypocrisy, incest, rape, betrayal, ghosts, demons, corpses, and enough gruesome detail to rival an episode of CSI.
The story is set in Spain during the time of the Inquisition, and focuses on the corruption and eventual destruction of Ambrosio, "The Man of Holiness", a Capuchin monk whose outward piety conceals vanity and a lust for power, from which seeds grow spiraling tendrils of evil that eventually destroy him, with a little help from Old Smokey himself. (Lucifer actually makes a juicy cameo appearance at the end - don't miss it!).
Love how "meaty" the story is: within the main narrative, Lewis embeds digressions and side stories that add to the entertainment and general spookiness of the story. Caught up in the main narrative (in which the Brave Cavalier Lorenzo attempts to woo the Innocent Virgin Antonia; Noble Raymond attempts to rescue his True Love Agnes from the schemes of Villainous Family Members and an Evil Prioress; and the Mad Monk Ambrosio is gradually corrupted), you may be tempted to skip these parts, but don't! Elvira's sad history, the story of Lorenzo's brush with bloodthirsty bandits in the forests of Germany, and especially the tale of the Bleeding Nun and the Wandering Jew are fully as diverting as the main narrative.
Love, too, how the author incorporates all the stereotypical elements of gothic fiction - mad monks, wicked nuns, brave knights, naïve virgins, scheming family members, crypts, corpses, and sorcery - while still managing to create a story that feels fresh, literate, and well-crafted. Lewis may have picked a dubious genre, but there's nothing dubious about his plotting or prose. Indeed, Ambrosio's decline is presented in so gradual and logical a fashion, will shock you almost as much as it shocks him at the end to realize how far he's fallen, and how fast.
Finally, love how the book lays the foundation for so much literature that's come since. Reading along, you'll catch definite whiffs of Bronte, Poe, Hawthorn, Byron, Eco, and Perez-Reverte, among others. Were I a scholar, would love to research how this text provides a bridge between the old-style horror of medieval morality plays and modern lit.
Because, beneath the shock and titillation, this is at its core a morality play, in which evildoers are punished and virtue is rewarded. (Except for a few necessarily tragic consequences, because evil can't happen without victims, after all). A little spooky, a little melodramatic, a lot entertaining, and good triumphs over evil yet again ... what more do you want from a book?
The story is set in Spain during the time of the Inquisition, and focuses on the corruption and eventual destruction of Ambrosio, "The Man of Holiness", a Capuchin monk whose outward piety conceals vanity and a lust for power, from which seeds grow spiraling tendrils of evil that eventually destroy him, with a little help from Old Smokey himself. (Lucifer actually makes a juicy cameo appearance at the end - don't miss it!).
Love how "meaty" the story is: within the main narrative, Lewis embeds digressions and side stories that add to the entertainment and general spookiness of the story. Caught up in the main narrative (in which the Brave Cavalier Lorenzo attempts to woo the Innocent Virgin Antonia; Noble Raymond attempts to rescue his True Love Agnes from the schemes of Villainous Family Members and an Evil Prioress; and the Mad Monk Ambrosio is gradually corrupted), you may be tempted to skip these parts, but don't! Elvira's sad history, the story of Lorenzo's brush with bloodthirsty bandits in the forests of Germany, and especially the tale of the Bleeding Nun and the Wandering Jew are fully as diverting as the main narrative.
Love, too, how the author incorporates all the stereotypical elements of gothic fiction - mad monks, wicked nuns, brave knights, naïve virgins, scheming family members, crypts, corpses, and sorcery - while still managing to create a story that feels fresh, literate, and well-crafted. Lewis may have picked a dubious genre, but there's nothing dubious about his plotting or prose. Indeed, Ambrosio's decline is presented in so gradual and logical a fashion, will shock you almost as much as it shocks him at the end to realize how far he's fallen, and how fast.
Finally, love how the book lays the foundation for so much literature that's come since. Reading along, you'll catch definite whiffs of Bronte, Poe, Hawthorn, Byron, Eco, and Perez-Reverte, among others. Were I a scholar, would love to research how this text provides a bridge between the old-style horror of medieval morality plays and modern lit.
Because, beneath the shock and titillation, this is at its core a morality play, in which evildoers are punished and virtue is rewarded. (Except for a few necessarily tragic consequences, because evil can't happen without victims, after all). A little spooky, a little melodramatic, a lot entertaining, and good triumphs over evil yet again ... what more do you want from a book?
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